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Kanye West

Kanye West

Kanye West is a real one-off in the larger-than-life world of hip-hop. Firstly, he’s from Chicago – hardly a hotbed of hip-hop activity in the tradition of New York or Los Angeles – and secondly, he’s made that rare move from behind the mixing desk to the front of the mic when usually, it’s the other way round.

Indeed, it was his early production work that got him noticed by the Roc-A-Fella label but he first came to prominence via his stunning contributions to Jay Z’s 2001 album, Blueprint, and the tracks Takeover and Izzo (H.O.V.A.).

Rumours soon spread that West was to make his much anticipated debut as a rapper but all expectations were dashed after he was involved in near-fatal car crash. Following a period of recovery, West re-appeared seemingly stronger than ever. In addition to recording and releasing his 2004 debut album, the universally acclaimed The College Dropout, West left his indelible mark on hits for Talib Kweli (Get By), Ludacris (Stand Up), Jay Z (03 Bonnie & Clyde) and Alicia Keys (You Don’t Know My Name) as well his collaboration with Oscar-nominated actor Jamie Foxx (Slow Jamz).

At the beginning of 2005, Kanye West secured an incredible 10 Grammy nominations (he went home with three) while his sophomore effort, Late Registration, raised hip-hop’s bar. A true original, Kanye West has made good on hip-hop’s original promise.

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Roots Manuva

Roots Manuva
To his mum, he’s Rodney Hylton Smith from Stockwell, South London. To the rest of us, he’s Roots Manuva, the standard bearer for UK hip-hop.

He first came to mainstream prominence after making a guest appearance on Leftfield’s Dusted, the opening track of their much anticipated sophomore album, Rhythm & Stealth, but it’s through a series of highly regarded albums that he’s come to make his name.

With influences ranging from dub to ragga to the nascent trip-hop genre, Roots Manuva managed to cherry pick the best bits and, in the process, created something new. His debut album, 1999’s Brand New Second Hand, was showered with praise and saw him pick up a much deserved MOBO. Without wasting much time, Roots was back in the studio to assemble the follow-up, Run Come Save Me. Released in 2001 and preceded by the hit single, Witness (1 Hope), the album scored big and was instrumental in expanding his international reputation. Though missing out on that year’s Mercury Music Prize, it spawned the magnificent remix album, Dub Come Save Me. His third album, Awfully Deep, kept up the creative consistency and was released in 2005.

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